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                                                                                               Story by Tyler Clarke
                                                                                            Photos by Matt Goerzen



                                            o Phil Dorn, woodworking is not   It doesn’t have to be perfect; that’s the
                                            only an art form, it is also an   fallacious notion of beauty.”
                                       Textension of life itself.             Every piece is different, and Dorn said
                                       An engineer by trade, the Brandon artist  that he “couldn’t care less” what
                                       said that his fascination with wood-   becomes of them after he makes them –
                                       working comes out of a need to preserve  and that he just has the inclination to
                                       history.                               make them.
                                       While most people would burn the waste  “We all have a creative bend and how
                                       wood he comes across, he doesn’t have  you express it is a personal matter…
                                       the heart for it.                      People express it differently,” he said.
                                       Whether it’s 100-year-old bridges that  A few of Dorn’s hand-built tables are on
                                       are rebuilt or sections of the historic  display at the downtown coffee joint,
                                       Brown Block building in downtown       O&O Coffee, including one dauntingly
                                       Brandon that partially collapsed and were  large piece that greets customers as they
                                       subsequently demolished several years  come in the front door.
                                       ago, Dorn keeps the slabs of wood that  It’d be difficult to find a more fitting
                                       are left behind.                       location for Dorn to work with historic
                                       Large enough to support a building or  wood than the basement of the Samson
                                       semi-truck, Dorn cuts through the slabs  Engineering building at 162 10th St.,
                                       with sawmill blades able to cut as deep as  where he toils with the pieces.
                                       26 inches.                             Back in the early 20th century, Hughes
                                       He drills tunnels through the historic  & Co., tenants of the day, sold lumber out
                                       wood in order to bolt pieces in place,  of the basement. Dorn said that the
                                       creating some of the most structurally-  prevailing “story, legend, narrative;
                                       sound tables you would ever find.       whatever you want to call it” is that
                                       He sands these components a bit, but   during the period of prohibition, for
                                       doesn’t lend too great a focus to buffing  every few barrels of nails they received
                                       out their imperfections.               a barrel of whisky.
                                       Quoting a John Legend song, he said that  This same legend has the contraband
                                       the pieces carry “perfect imperfections.”  whisky being served at the Prince
                                       The pieces are separate from the “very  Edward Hotel.
                                       refined world that we build in all our  And Jimmy Hoffa is buried downstairs,
                                       furniture,” he said. “It’s character that has a  Dorn said with a chuckle. “That’s how
                                       lot to do with the beauty we see around us.  nicely we embellish the story.”

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